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Paul Joy
Великобритания
Добавлен 11 ноя 2006
Professional videographer & filmmaker based in the UK. I share pro tips, tutorials and reviews of film & video gear.
I've been charting my journey in to videography since 2007 over on my blog (link above) if you want to see examples my work feel free to head over there and have a look around.
I try to post videos on RUclips each week and love to discuss them in the comments so feel free to get involved and I'll look forward to chatting with you soon.
I've been charting my journey in to videography since 2007 over on my blog (link above) if you want to see examples my work feel free to head over there and have a look around.
I try to post videos on RUclips each week and love to discuss them in the comments so feel free to get involved and I'll look forward to chatting with you soon.
Osee Mega 15s Studio / Field Monitor - Detailed Walk Through & Review
In this video I take a look at the new Mega 15s Studio / Field Monitor from Osee.
Affiliate Product Link ► geni.us/ZPCYY0
I do a complete walk through of all of the hardware and software features available on the monitor and talk about how I got on using it on projects over the past few weeks.
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Featured Products
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Osee Mega 15s Monitor ► geni.us/ZPCYY0
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Other Products Shown
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Neewer C Stand ► geni.us/Es4c
Neewer Sand Bags ► geni.us/AICbmWv
Vaxis ATOM A5 SDI ► geni.us/wVvK
X-Rite ColorChecker Passport Video ► geni.us/AQSI
S...
Affiliate Product Link ► geni.us/ZPCYY0
I do a complete walk through of all of the hardware and software features available on the monitor and talk about how I got on using it on projects over the past few weeks.
----------------------------------------------
Featured Products
----------------------------------------------
Osee Mega 15s Monitor ► geni.us/ZPCYY0
----------------------------------------------
Other Products Shown
----------------------------------------------
Neewer C Stand ► geni.us/Es4c
Neewer Sand Bags ► geni.us/AICbmWv
Vaxis ATOM A5 SDI ► geni.us/wVvK
X-Rite ColorChecker Passport Video ► geni.us/AQSI
S...
Просмотров: 752
Видео
PortKeys new Movnorm firmware with the Sony FX3 and LH7P Monitor
Просмотров 6 тыс.4 месяца назад
In this video I take a look at the new Movnorm Operating System from PortKeys. I do a complete walk through of all of the settings and features available when running Movnorm on my PortKeys LH7P and demonstrate how it interacts with my Sony FX3 when doing wireless camera control. Download the Movnorm firmware from PortKeys: www.portkeys.com/firmware-upgrade/ Update: 13/04/24 I had a response fr...
Vaxis Atom A5 SDI Review - The ATOM A5 Gets SDI, 2000nits & Better Wireless!
Просмотров 2 тыс.4 месяца назад
In this video I take a look at the new Atom A5 SDI monitor from Vaxis. This monitor is updated from the previous version to include SDI, dual band antennas and a 2000 nit display. As well as being a 5.5” monitor this device has the ability to transmit and receive wireless video signals as well as record HD video. I show in detail all the features this monitor offers as well as talking about my ...
Sony Cine EI Adjustment Luts - Edit Faster & Easier!
Просмотров 3,8 тыс.11 месяцев назад
In this video I show how I use Cine EI on the Sony FX3 to capture a range of different exposures and then how I use my custom LUT's to adjust each shot quickly so that it's displayed with correct exposure. I demonstrate using a Sony FX3 and FCPX on the Mac however this same method will work for other Sony cameras shooting S-log3 with or without CINE EI. The LUT's should also work in other NLE's...
PortKeys LH7P Review - A Budget 7" Monitor with Wireless Camera Control!
Просмотров 10 тыс.11 месяцев назад
Full review of the PortKeys LH7P HDMI monitor. The LH7P is a highly capable 7" HDMI monitor with an impressive array of tools for filmmakers. What makes this monitor so unusual is that it offers full wireless or wired control of supported cameras. Paired with the Sony FX3 I show how well this wireless control works and how useful it is to be able to see camera settings on an external monitor. P...
Sony UWP-D Wireless - My Sony FX3 and A7iv Mic Setup
Просмотров 12 тыс.Год назад
In this video I talk about the Sony UWP-D wireless audio kit that I use with my Sony FX3 and A7iv. I show how it's possible to send audio from one shotgun mic to two cameras as well as many other configurations. I also talk about how I've modified my Sony FX3 Rig to work with this setup and rig my Sony A7iv as B camera. Below are links to all of the kit shown in this video. Please be aware that...
Vaxis Atom A5 - A Monitor that Transmits & Records Video!
Просмотров 2,1 тыс.Год назад
In this video I take a look at the Atom A5 monitor from Vaxis and run through all of the features available. As well as being a 5.5” monitor this device has the ability to transmit and receive wireless video signals as well as record HD video. I show in detail all the features this monitor offers as well as talking about my thoughts on it and who it might be a good fit for. Featured Product Lin...
DJI Mini 3 Pro vs Inspire 2 - Drone Footage Comparison
Просмотров 3,4 тыс.2 года назад
How does the footage from my sub £900 DJI Mini 3 Pro compare to my £12,000 DJI Inspire 2 setup? In this video I compare footage shot with the DJI Mini 3 Pro and my DJI Inspire 2. The Inspire 2 is a way more capable drone and does produce higher quality results but how close does the Mini 3 Pro get? Freewell Mini 3 Pro ND Filters All Day 6 Pack - geni.us/jZGH8 Bright Day 6 Pack - geni.us/xlNd1 D...
Sony FX3 v2.0 - 10 features you might have missed!
Просмотров 12 тыс.2 года назад
The v2.0 Firmware update for the Sony FX3 added some great new features to the camera including new menus, Cine EI and the ability to use LUTS. In this video I show ten more features that you might have missed so far! IMPORTANT!!! Please note that updating the Sony FX3 to Firmware version 2.0 wipes all of your settings! Make sure to write down all your settings before updating. Once installed m...
How to use Cine EI on the Sony FX3 / FX30
Просмотров 49 тыс.2 года назад
One of the biggest new features for the Sony FX3 is the ability to shoot using Cine EI mode. In this video I show how I set up my FX3 for optimum shooting using Cine EI and show how to shoot in Cine EI. FX30 Update. Please note that this video shows the FX3 which has base ISO's of 800 and 12800 in Cine EI. For the FX30 that would be 800 & 2500 however the same methods will still apply. Featured...
PortKeys LH5P II Review - HDMI Monitor with Wireless Camera Control!
Просмотров 27 тыс.2 года назад
Full review of the PortKeys LH5P II HDMI monitor. The LH5P II is a highly capable HDMI monitor with an impressive array of tools for filmmakers. What makes this monitor so unusual is that it offers full wireless or wired control of supported cameras. Paired with the Sony FX3 I show how well this wireless control works and how useful it is to be able to see camera settings on an external monitor...
Sony FX3 / FX30 Audio Input Shootout - Which One Sounds The Best?
Просмотров 10 тыс.2 года назад
In this video I'm on a mission to discover which audio inputs on the Sony FX3 provide the best quality sound. I test the XLR and 3.5mm inputs on the audio handle as well as the 3.5mm input on the camera itself. I also test audio through the MI shoe to see how that stacks up against the other options. Kit used making the video... Sony FX3 - geni.us/Mc4njM Sony A7iv - geni.us/aQbmV4 Sony 50mm GM ...
How To Set White Balance - Sony FX3 / FX30 / A7SIII
Просмотров 48 тыс.2 года назад
How To Set White Balance - Sony FX3 / FX30 / A7SIII
How to use Sony Exposure Tools for Video - FX3 / FX30 / A7SIII
Просмотров 27 тыс.2 года назад
How to use Sony Exposure Tools for Video - FX3 / FX30 / A7SIII
A Better Way to Charge Your Sony NP-F Style Batteries - ZITAY NPF Fast Charger Review
Просмотров 6 тыс.2 года назад
A Better Way to Charge Your Sony NP-F Style Batteries - ZITAY NPF Fast Charger Review
Fixed ND vs Variable ND - Vaxis IRND Filters for the Tilta Mirage Matte Box
Просмотров 14 тыс.2 года назад
Fixed ND vs Variable ND - Vaxis IRND Filters for the Tilta Mirage Matte Box
Tilta Mirage Matte Box VND Review - The Best Matte Box for Mirrorless Cameras!
Просмотров 8 тыс.2 года назад
Tilta Mirage Matte Box VND Review - The Best Matte Box for Mirrorless Cameras!
180° Shutter Angle - Why I don't use it for 50/60p
Просмотров 38 тыс.2 года назад
180° Shutter Angle - Why I don't use it for 50/60p
Ninja V Fan Noise Fixed - AtomOS Update 10.72
Просмотров 8 тыс.2 года назад
Ninja V Fan Noise Fixed - AtomOS Update 10.72
Sony FX3 ProRes RAW Workflow with Ninja V and Final Cut Pro (FCPX)
Просмотров 35 тыс.2 года назад
Sony FX3 ProRes RAW Workflow with Ninja V and Final Cut Pro (FCPX)
Atomos Ninja V vs Shinobi - Best HDMI Monitor?
Просмотров 10 тыс.2 года назад
Atomos Ninja V vs Shinobi - Best HDMI Monitor?
Sony FX3 / FX30 Custom Buttons & Settings
Просмотров 9 тыс.2 года назад
Sony FX3 / FX30 Custom Buttons & Settings
How to use Sony AutoFocus - FX3 / FX30 / A7SIII
Просмотров 66 тыс.2 года назад
How to use Sony AutoFocus - FX3 / FX30 / A7SIII
Sony 50mm 1.2 GM / Sony FX3 - Cromer Telescope
Просмотров 1,7 тыс.2 года назад
Sony 50mm 1.2 GM / Sony FX3 - Cromer Telescope
4 Channel Audio on the Sony FX3 / FX30 - Full Setup Guide
Просмотров 31 тыс.2 года назад
4 Channel Audio on the Sony FX3 / FX30 - Full Setup Guide
How To Use The Sony FX3 / FX30 Audio Handle (XLR-H1)
Просмотров 36 тыс.2 года назад
How To Use The Sony FX3 / FX30 Audio Handle (XLR-H1)
Sony FX3 / FX30 Flexible Exposure Mode Explained
Просмотров 17 тыс.2 года назад
Sony FX3 / FX30 Flexible Exposure Mode Explained
thank you for this video it help a lot
An incredible upgrade, but guys just realised that with the Sony as73 it can't monitor 120fps or 100fps, with the old software that wasn't an issue. Very sad I hope they can fix it soon
Can you not set the HDMI output settings on the A7s3?
Can it work simultaneously with the Ninja V?
I don’t see why it wouldn’t if you had a need to use 2 screens. I’d put the Ninja first in the chain though as it has more options for output signal.
@@PaulJoy thanks, thats what I figured, I bought the LH7P thanks to your video so well find out. Chain will be Source to Ninja to wireless TX to wireless RX, to LH7P, I know there will be latency but curious how much. This is just for wireless monitoring / touch to focus.
Fantastic video mate as someone just getting into videography, having comes from drones and action cams to now my first mirrorless, this video is a godsend. One question though, if i want to shoot in 120fps is there a frame rate i can use that would give me this same flexibility? To use the footage both at full speed or slowed down if i wanted? Cheers.
Thanks. No not really for a 30p timeline as you’ll be limited to 1/120th of a second shutter.
I just got an LH5P II and im tring to find a video on how to update the firmware.
Do we keep those same rules above when using an ND filter ?
Using ND wouldn't make any difference to the amount of motion blur assuming you're setting the same shutter speed.
thank you for this, I learned a lot here
Glad it was helpful, thanks for letting me know.
Hello, Paul. If I am shooting with Slog3, but using Rec709 internal monitor lut. Shall then I use your technic with 70% IRE to expose skintones for Rec709? Or I have to go with 52% as for the Slog3? Thank you!
Hi there. I aim for 60% for judging skin tones when using the s709 lut in the camera.
@@PaulJoy thank you for your reply, Paul. And highlights 108%? Or lower value for in camera monitoring in rec709 lut?
Highlights are tricky because they change depending on which EI value you use. For low base (800) set to 99% but you will notice you need to set that different if you move away from the base.
@@PaulJoy thank you, Paul. I guess for the second native ISO of 12800, I will also use 99%. Thank you for your video, it’s very helpful. I added it to my favorites, to make sure I keep those values in memory 😅
@@AleksanderZh No problem at all. I keep a note on my phone of settings for each camera / shooting mode as there's way too much info to remember. For example the one for this says... Slog-3 + S709 Middle Grey: 45% Skin: 60% White: 77% Blown: 99% (800 Base)
Well done and a great ref to go back to when things get a little confusing lol. thx
Thanks, glad you like it.
This tutorial was to the point and super simple. Thank you Paul!
You’re very welcome, glad it helped.
This was very helpful! Thank you ❤
Thanks for letting me know :)
Many thanks for this!
You’re very welcome.
Unfortunately, we won't be able to see some of the differences you're describing about your 50p footage played at its normal speed because you don't have the 50p viewing option enabled on your RUclips video. (So we're all seeing it downconverted to 25 or 30 frames per second).
The video is about shooting at 50 fps for delivery at 25fps. As I say in the video, if delivering a 50 fps video then you would shoot at 1/100th or 180 degree shutter anyway.
@@PaulJoy Right, but at 4:38 and 6:15 you gave some examples of what the 50p footage looks like played back at normal speed, and asked the audience to observe some of its characteristics, including judder and fluidity, which aren't going to be be accurately represented if the video is limited to 25p or 30p.
@@AJ-on-youtube I'm showing how footage shot at 50 fps using 1/100th shutter looks juddery when played back at 25 fps (dropping half the frames). At no point in this video am I showing how footage looks played back at 50 fps so no need to publish it at 50 fps.
@PaulJoy You were though, at 4:38 and 6:15. You can click those time links and they'll take you right to the parts I'm talking about so you can check.
@@AJ-on-youtube I don't say that at all, in both cases I talk about playing the footage back at "normal speed" ie, not in slow motion. Again, this video is about shooting 50 fps and using that footage on a 25 fps timeline either as slow motion or at "normal speed", ie as if you had shot at 25 fps.
This is exactly what I've been thinking about. It doesn't matter if it's 25fps or 50fps, 1/50 shutter is 1/50 shutter in the end of the day. This whole rule, kinda looses it's point in digital. I'd rather shoot everything at 1/50, knowing that I can slow down the futage later or just frame skip if I want to play it real time.
Certainly digital gives us the ability to change the equivalent of shutter angle on the fly.
This is a fantastic video, thank you. One question: How do you turn on Phantom power on the UTX-P40. I saw you press something at the start of the video to toggle it, but I can't find this anywhere in the manuals, on how to turn on 48V power?
Glad you liked the video. Phantom power is one of the menu items, you press + or ~ until it’s shown and then press set to change it.
Thanks for your in depth review! Does the internal recording imbed timecode from camera?
Good question, I’ll check next time I have chance.
@@PaulJoy haha thanks! Well I have this set now and can tell that camera timecode is not imbedded. Monitor recordings all start with 00:00 🙏🏽🙏🏽
when im having one xlr mic how many channels is best in camera settings?
2 channels, you can record the mic on to both of them at different levels or just have them the same.
Thanks 🙏. I bought it after seeing your video but then I realized this monitor doesn't have a photoshooting button. Even when I change the mode from video to other photo mode but there is only a record button. Do you have any tips on how to take photos for yourself except using the phone app ?
Yeah it’s primarily for video so it doesn’t offer photography options. You can get various wireless shutter release devices, I haven’t tried any so can’t recommend anything. Hope you figure it out.
Great explanation.
Glad it was helpful!
Do I need an expensive color checker with all the colors or would a simple grey/white card be enough? (for video)
Not at all, a grey card or even white paper is fine for a custom white balance. The colour checker is a good choice as it also allows you to adjust colours in post to be accurate but not necessary just for white balancing.
Hello @PaulJoy. I have this monitor and a Sony A7S3. Since I upgraded the camera's firmware to 3.0, every time I turn off and on the camera, the monitor fails to automatically connect to the Wi-Fi signal, which it used to do before. Do you have this same problem with your FX3? Best.
Hi, it was possible in previous A7S3 firmware versions to keep the WiFi running after a reboot but unfortunately that's no longer the case.
Yes, it used to work well but unfortunately after a Sony update the connection works in a different way that means the connection is not retained after a reboot of the camera.
I find the explanation confusing in terms of what combo of settings look smooth and what does not. Your different examples all look pretty smooth to me. My takeaway from the video is that the popular 180 degree shutter angle which gives natural blur of the motion pictures, in post production, should be calculated from the editing timeline frame rate and camera shutter speed. Not really from the camera frame rate. Thus the 360 degree shutter technique is useful when shooting 50p for editing on a 25p timeline. It also allows you to achieve 180 degree shutter by applying half speed slow motion (50p -> 25p) which is a bonus. Very useful information. Thank you!
Yes sorry, it’s quite a tricky thing to explain, your summary is correct so I think you have it :)
Is the screen black with backlight full up, i have the older model and this is a bit of a problem. Great video, thanks.
Not sure what you mean?
@@PaulJoy I mean does light leak through a problem with this type of monitor but not with OLED
@@HISPEKK The contrast is much better than other monitors I own, it retains blacks very well. Saying that, it's not going to compete with a good OLED display in terms of blacks.
It only shoot 4k30 fps it don’t 4k24 or 4k60
It should do 4K 24, but yes 4K 30 is max input signal.
What gain settings do you use for your rode shotgun combined with the UTXP40? When using my Rode NTG5 with it I can hear background hiss. However, when using the NTG5 with the older UTX PO3 it sounds perfect.
I normally have the gain at -6 but I’m using the mkh416 mostly. It shouldn’t add hiss though, that sounds a bit strange!
Very nice video! 🎉 I have very similar experience with the Smallrig Star-trail or how its called. I used their VND to cover two stop gaps on my rectangle filters. Then it has less color cast. Its really annoying tho that I still havent found a VND that just works. The convenience and precision of exposure is fantastic, but there id always a downside. Especially when we look at VND options for matteboxes.
Yup, I think it's just a limitation of using polarisation. To this day the best experience I've had is the electronic ND in Sony cameras like the FS5 and FS6. I wonder who will be the first to put that in a mirrorless style body.
@@PaulJoy if BlackMagic 6k can be called mirrorless body, that is the only one that comes to mind. I have heard a lot of good things about Sony FS. What was your general experience? Would you consider FX6 as its comparable form factor.
@@ReiDoesIt I’ve used the BMD 6K I’m im not a fan of the form factor, great UI and images though. FS5 was good in its day but limited by the rubbish EVF and tiny screen. I really like the FX6 and would love to have one but for me the image stabilisation and small form factor of the FX3 made more sense for the work I use it for.
How do I do that? Mine shuts off when I change the FPS
Check your HDMI output settings, I can’t remember what I had set when I made this short but you should able to set the HDMI output separately from the recording settings.
Can you show a full setup start to finish of this, you did one but didn't but the fx3 top handle on top.... Thanks!
Does the Ninja Flame have the same LUT exposure issues?
I’ve not used the Flame so not sure.
Thank you for this tutorial. How do you connect the Lav and handheld to work together? is that possible?
My system is single channel so I’d need to use both receivers connected to two audio inputs to do that.
Hey, I can’t seem to click Custom WB when shooting slog3 why is that
Which camera are you using?
@@PaulJoy Sony zve1
@@PaulJoy it greys out the option to click custom WB to be able to select the gray/white card
Are you using a custom memory mode? For some strange reason Sony don't let you change the WB when doing that.
@@PaulJoy uuuuh yes I am. That’s probably why. That’s so silly. Thank you for letting me know this. I appreciate that.
Amazing infos liked your style. Does this monitor show the exposure metering +1.7 +2?
Thanks, no it doesn’t show the cameras metering on the the monitor.
@@PaulJoy Oh this is so sad. The red recording and the other infos are so useful. Thanks for the answer
Would this be accurate enough for also being used as a reference monitor?
I’m not sure to be honest, I don’t have any experience with reference monitors.
Great review. Thanks
You're welcome, thanks for watching and letting me know.
how does this compare to the atomos sumo 19 SE?
I've not tried the Sumo so can't say, sorry.
It's not 30p, that means 30 vertical pixels, it's p30, as in 1080p30. They also say that 16K is 8K, it makes no sense. 2K would be 1080p because 2K horizontal pixels, but it's not. Companies are liars who push marketing lies. 1K means 1000, but the monitor is in 16:9 mode, so you round up to 1080 because it's divisible by 12, a perfect number. This is why a 2K monitor 2560x1440p, because it's UHD, which is four HD 720 images. When you put four 1K monitors, you get a 4K monitor, but not because it has about 4K horizontal pixels, but that would mean 1440p is a 2.5K monitor, but it's not because you mulitply 2560*1440=3686400, which is 2K, or double 1080p pixel count. What people are calling 8K is actually sixteen 1K monitors, or a 16K monitor, or sixteen 1080p/1K monitors. It's mathematical facts. Don't recite manufacturer lies unless debunking them.
While I appreciate and understand your point we also have to deal with common terms and most people that I deal with will take 30p as meaning 30 progressive frames per second as opposed to 30 interlaced frames per second. The same is true of the HD, 4K (UHD) and 8K, they are general terms.
@@PaulJoy Why not say 30Hz? What's wrong with using scientifically accurate words? Oh yeah, marketing BS.
@@CaleMcCollough How is calling a 30 fps Progressive Scan clip 30p marketing BS?
@@PaulJoy No one uses 10080i30 anymore, which means 30hz interlaced 1080vp (vertical pixels). It's how we've listed monitors my entire life. No one says 30p except for people who use Sony cameras, who falsely claim their 33MP A7C II and A7 IV are 8K because k now means 8 thousand horizontal pixels. It doesn't make any sense, it's literally just BS marketing rhetoric because it sells cameras, not because they are right. But for some reason modern Sony cameras don't have p30 H.265??? I hate this with a passion. Sony makes no sense a lot of time.
@@CaleMcCollough Seems an odd thing to get hung up about when cameras have been describing framerate and scan modes as 25p and 25i as long as I've used them. Anyway, interesting chat.
at 11:15, the camera information can't show the fps? such as 25fps shown on your fx3 screen? that would be helpful if so
No, that isn't shown on the monitor.
Why does the Shinobi display HD 50p even when camera records 4K 25? Should it not display HD 25? Or is it something I don’t get?
Likely because it is actually receiving 50p. For example with the FX3 in Cine EI mode even if shooting at 25p the camera sends the HDMI signal as 50p.
@@PaulJoy thank you. But why does the camera send 50p through the hdmi then?
Great video, you convinced me to buy a LH5P II Just a question though, im not sure if it’s just me but it seems like the image that the monitor is giving is way more contrasty and inaccurate than usual? Played around with the contrast setting but still doesn’t feel right. And yours seems to not require any adjustment. As for right now my feelworld looks way better than my portkeys which doesnt make any sense.
Hi there. A lot will come down to whether you're shooting in Log and if so which LUT you're using. In my experience the Portkeys monitors do need to be adjusted for colour accuracy however I've not changed any contrast settings on mine. Bare in mind also that I'm filming the screen and that doesn't always result in it looking exactly as it does to the eye.
By far the best review of the Porkeys LH 5P II with the Movnorm firmware update. I had a bit of difficulty connecting the monitor to my Sony A7R V but finally figured it out. There a couple of controls that don't work with the A7R V but hopefully that will get sorted out as they advertise compatibly with Sony cameras. I ordered a Nitze cage and a Neewer camera monitor mount to mount the monitor on my SmallRig full camera cage. Thanks for the great review.
Really pleased you like it, thanks for letting me know and enjoy the new rig!
@@alpho2010 I have a FX3 and AR7V, what issue did you have and how did you solve it?
@@pc1x1 I could not get the signal from the camera to the monitor, it was a setting issue.
but your video is uploaded to RUclips at 25fps
The video is about shooting 50 fps for delivery at 25fps.
After connecting my Sony A7 iv to the Portkeys LH5P II via WiFi it did not show the image coming from my camera. The menu looks completely different from everyone else’s online too. I’m super confused. This is my second monitor because I returned the first one thinking it was defective. But now the second one is having the same issues. Now it does display the image connected via HDMI but again the menu doesn’t look like it should. It still has all the settings like record, shutter, ISO etc. but I can’t swipe right, left, up or down. I can’t find anyone with the same issues online and I’m really confused. Any suggestions would be appreciated.
It likely has the newer firmware on it. Have a look at my videos and watch the one about the movnorm update.
@@PaulJoy That’s what Portkeys told me. I contacted them after I posted this. They sent me a link for the latest firmware update and some instructions on how to connect my Sony to the monitor. They said if I was still having trouble getting an image to contact them again. I am about to go through the steps that they gave me I. I just don’t know why I’m still not getting an image when connected by Wi-Fi but thank you for your response. I will let you know how this unfolds.
No image is sent using the wireless, that’s only for control data. The image is sent via HDMI cable.
@@PaulJoy So you're telling me when you connect via Wifi that you can't monitor your image? That it's only good for controlling the settings?
@@ShawnBustamante You need to use both together. The HDMI cable carries the video & audio from the camera to the monitor and the wireless connection allows control of the camera and data from the camera to be displayed.
Hi, I can´t reply recorded footages on my fx3 when I connect the PORTKEYS LH5P II :/ I have to disconnect a hdmi cable and then it works. Have you tried it? Could you advise me how to set fx3 correctly... Many thanks
Yup, that’s a Sony thing, when a monitor is connected via HDMI you have to watch the playback on that.
Hi, Great video, a lot of useful information. I am really considering getting this monitor. One question, does the monitor still display image when I record 4k 120p on my Sony camera? It would be a dealbreaker as I record birds in flight so I require to shoot in 120p. Thanks 😊
It won’t display a 120fps signal but your HDMI output might not be 120fps even when your recording at that framerate. Can you set the HDMI output in camera?
Thank you for this. I know it’s a fairly old video now, but I keep coming back to it. I have also played around a lot with shutter speeds and watched a lot of old cowboy movies (for instance), freeze framing the action. What really surprised me was just how much blur these old movies show, to the point where in many still frames, the whole picture was totally motion blurred. This made me think more about shutter angle because it looks to me as though the old cinema stuff might well have been using a slower shutter, judging from the amount of blur. The other thing that no one seems to talk about is the black gap between each frame. The movie would be in 24 fps with each frame shown for 1/48th sec with a 1/48th second gap to move the film. Therefore, the 180 rule is actually 100% of the shown picture time, not 50% I still feel that the amount of blur in say, John Wayne films is more than 180 degrees! So I played around with 360 degree shutter since we have no black frames so that the blur matched the distance a subject traveled in the same amount of time as a frame. Results weren’t as blurry or smeared and many might think. Handheld, a shutter at 1/25th is a bit too slow but on a tripod, fine. I quite liked it and often, when using a low frame rate, I now use a 270 degree shutter to make movement appear smoother. For 60fps, I use 1/60th and imo, it does look nicer. However, we all seem to ignore that black frame that should appear as it does in film projection. Not sure what exactly happens with modern digital movies, but I do see terrible judder in most movies shown in the cinema. Perhaps less care taken over camera movement these days, but I am extremely sensitive to it and find it really annoying. Thanks for an interesting video. As I said earlier…. I keep coming back to it!
Hi there, thanks so much for this comment, I’d not given any thought to how much of the 24 fps was dedicated to the mechanics of pulling the film down on old cinema cameras and projectors before. I’ll have to have a play with that one!
I Guess 48fps with every other frame being black. This stops what is called, ‘persistence of vision’. What this means is that the motion blur stretches across 1/48th second, followed by 1/48th second black. The brain then inserts what it thinks the motion should be, giving smoother movement. It’s an optical illusion. My TV inserts black frames and it starts to look a little more ‘movie like’ when it’s on. So you get 1/48th of motion blur and 1/48th of brain insertion which (I guess) might insert the same amount for you, giving (kind of) 48fps at 360 degrees and this was originally a measurement used to calculate the best frame rate/smoothness/cost. Unfortunately not in movies possible because film needed the black frame to change the picture which suggests that perhaps we should be videoing at 50 or 60fps with 360 degree shutter! I have never been totally convinced by 24fps. When I was younger, I used film at 16fps and it always looked like poor home movie to me. Even then in the 60’s. 24fps just about works but imo, with a mostly still camera. Some movies are ghastly I think. We all seem to be hanging on to that frame rate, but the medium that we now use has drastically changed but we seem to ignore it. Especially with fast displays that don’t allow for persistence of vision. It’s a funny old topic, but one that has interested me for a long time because of this (quite often) total acceptance of 24fps, even on 60hz screens. It’s kind of become a burned in rule, like the 180 degree rule that more often than not, I break. In fact, at slow frame rates, I prefer a 270 degree shutter or even more. This is a topic that isn’t really discussed much on RUclips. It’s always assumed that 24fps is the one that is ‘best’ without really analysing why it’s the best. I think when it’s done well, it looks fantastic, but there are many, many examples of poor camera control at 24fps and that slow frame rate makes it appear actually worse in some cases. I think faster frame rates are more forgiving of poor camera control but 24 needs more attention to detail and how you move the camera.
Love the review. I would like to check if there is a button to press for taking photo. I understand there is the REC button to press and it start the video recording. I believed your camera is in video mode. So if the camera is in photo mode, will there be the button to press for the photo to be taken ?
Good question! No there’s not, you can only trigger video recording when the camera is in a photo mode.
better use fx 30/ fx 3 small rig cage part, which fits directly at the place of top handle xlr, where golden pins goes in. screw the small metal part on the handle extention from small rig, horizontally out towards the left and then screw the atmos monitor on the rod with another circular metal piece like the plastic piece where mics are tightented on the xlr handle for which we have to use another ruber material for holding it tight. hope you guys got me. this way you can get another space to use focus pulling system. down just under the monitor. or, use that small rig metal part vertically up or downwards and then follow the above options agian, this way you can get the monitor just behind the chanel input setting on the xlr handle.
Thanks for the detailed comment and interesting idea.
Very useful review. Thank you for putting this together.
No problem, pleased it helps.
I bought it today but the image does not appear. I tried two cameras with no result. It only shows me the start screen
How are you connecting it to the camera?
Hi, could you please tell me whether you connect the camera and the monitor via signal cable?
Thank you! Really helpful 🙏
You're welcome!